The Warehouse Project’s Repercussion night returned for its 2024 season opener, marking yet another year for one of Manchester’s most iconic clubbing institutions. As someone who’s been attending WHP for over a decade, this year’s event felt like a turning point—both for the crowd and the atmosphere.
First off, the sheer number of people was staggering. I’ve never seen it this busy, even in my 11 years of going. The space, known for its industrial, raw feel, was filled to the brim. At times, it felt oppressive, with people jostling for space. Warehouse Project has always thrived on that energy, but this year pushed the limits of what even a WHP veteran would consider ‘controlled chaos'. But, it didn't stop us, I feel it made us more determined to get to places!
One of the new additions this season is a rooftop terrace and a smaller space dubbed the Waiting Room which was hosted by E Soul Cultura. You can get to it by heading through the smoking area and past the Star and Garter, which is a fun little adventure in itself. The terrace was a welcome escape from the tightly packed main rooms, offering an open, more relaxed vibe. check out our video below:
They’ve even set up a vintage shop up there, selling retro clothing—but at somewhat high prices. It’s a curious addition that seems to reflect the changing demographic of WHP. When I first started going, the crowd had more of a gritty, underground feel. But in recent years, especially since co-founder Sacha Lord sold his shares to Live Nation, I would say there has been a noticeable shift. It makes you wonder—are we moving further away from the roots that made WHP what it is? And how far will it expand?
Musically, the night was a mix of old favourites and new faces, with the crowd split between seasoned WHP regulars and a younger generation getting their first taste of the venue. here are our highlights: The top set for many was Jungle’s, which drew the biggest crowd by far. The main stage was absolutely packed—so much so that people were literally fighting their way into the middle to get a better view. We tried to explore the other stages during their set, but most were practically empty. It’s safe to say the night belonged to Jungle. I mean, they were great, havoing only seen them at Parklife a few years back, it was interesting to see them within the Depot space. they commanded the stage and in turn the crowd and played all their biggest hits and showed off their choreography (which people mimicked in the crowd).
Earlier on, we caught Salute in the Concourse, who delivered a fantastic set to kick things off. The room was bursting at the seams—again, crowd control seemed to be a recurring issue throughout the night. But when he dropped "Therapy", the place exploded. His mix of House and 4x4 tracks created the perfect balance of energy and nostalgia, setting the tone for the rest of the night.
Bonobo followed with a DJ set, and for me, this was a moment of reflection. He was actually the first artist I saw at Warehouse Project back when I started attending, so seeing him again was a full-circle experience. But this time around, it felt different. His DJ set lacked the magic of his live performances, and I couldn’t help but feel that his time in the U.S. might have changed his style. It was still a solid set, but it didn’t quite hit the same.
Hamdi, on the other hand, was a real highlight. His dubstep set was packed with energy, and the crowd responded in kind. You could tell he was feeding off the atmosphere, and it made for one of the more memorable moments of the night.
One of the personal highlights for me was finally getting to see DJ Seinfeld. I’ve been wanting to catch him for years, and he didn’t disappoint. His set was a seamless blend of upbeat disco house, keeping the energy high with no pauses or breaks. He was relentless in the best way, and the crowd was loving every minute of it.
Looking back, Repercussion had its rollercoaster of emotions. The music, as always, was top-notch, with some real standout performances. But the night also reflected some of the broader changes happening at Warehouse Project. The crowd, the vibe, even the layout—it all feels like it’s evolving. Whether that’s for better or worse remains to be seen. As long as WHP keeps bringing the music, though, it will always have a special place in Manchester’s nightlife.
As always, we will see you at the front Follow us as we cover the 2024 season of The Warehouse Project
ACID RAIN
THE WAREHOUSE PROJECT
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